Top 50 Albums
1. My Beautiful Dark Twisted Fantasy – Kanye West
Say what you will about the man, but never doubt that the music Kanye West makes is anything less than superb. On MBDTF, West lets everything he’s learned from his four previous records culminate in a staggering, layered, behemoth record that knocks you out while breaking all the rules of hip-hop. Most people want to separate the man and the music, but on MBDTF, West tackles who he is – and who he is perceived to be – with such honesty and humour that it’s obvious he’s done some soul searching. He touches styles all over the board, from the electric guitar driven “Gorgeous,” to the throbbing percussion of “Monster” and the epic unrestrained id of “Runaway.” In a time where the music world seems to be scaling back, let’s have a toast for an artist who gives the listener all they can handle. And then a little more. That’s any music fan’s fantasy.
2. This is Happening - LCD Soundsystem
On what is supposedly LCD Soundsystem’s final record, James Murphy and crew pull out all the stops, taking their blend of dance music and indie rock and turn it into the smart man’s dance record. He goes from the silly, “Drunk Girls,” to introspective, “I Can Change,” with the greatest of ease, keeping you moving the entire time. Listening to This is Happening is enough to make anyone believe what Murphy clearly does – sometimes, salvation can be found on the dance floor.
3. The Suburbs – The Arcade Fire
The Arcade Fire have never done anything small, and The Suburbs is as sweeping and sprawling as their subject. Leave it to a group of Canadian alt-rockers to tackle the adventures and dreams of the middle class with such piercing honesty and depth. That, and sonically they’ve never sounded tighter, even when they get messy, it’s clear it’s for a reason. There is no other group who could take a subject so vast and make it sound so intimate. Just like the best neighbors.
4. Brothers – The Black Keys
The Black Keys have been making some of the best blues music since their debut in 2002. On their sixth album, Brothers, the Keys cut loose creating some of their most atmospheric and rowdiest music yet. This is not only blues at it’s best, but it’s rock and it’s purest. Immediate and rollicking, foot-stomping and grungy. Everything one wants the blues to sound like. Sometimes there is nothing better than stripping a music down to it’s purest form. That’s where you find the gold nuggets.
5. Heaven is Whenever – The Hold Steady
The Hold Steady are the best bar band that’s now playing venues way bigger than bars. Their music is the perfect mix of classic rock infl uences and The Clash style punk. They even tap into their inner U2 on standout track “The Weekenders,” and acous tic stylings with “The Sweet Part of the City.” They even make radio-friendly sound great with “Hurricane J.” Listeni ng to Heaven is Whenever really poses one question – is there anything The Hold Steady can’t do?
6. Contra – Vampire Weekend
Vampire Weekend made such a great debut record that fans were more than a little nervous about their sophomore release. With the release Contra, fans breathed a collective sigh of relief. Not only did they maintain their college-boy, Paul Simon influenced, Afro-styled rock, but they deepened the sound, honed their writing, and made an album that beats its predecessor. Perhaps nobody out there is writing music as fun and literate as Vampire Weekend. There is no contradicting that.
7. American Slang – The Gaslight Anthem
The Gaslight Anthem would be the best Bruce Springsteen cover band in the world, but instead they spend their time making music just as intense and fun, while making the hoodrats and low-lives sound like magisterial heroes – take “The Queen of Lower Chelsea,” and “The Boxer” as examples. Springsteen would proud. And maybe a little jealous, too.
8. Thank Me Later - Drake
The best debut of the year was also one of the best hip-hop records of the year. Instead of swagger and boasting, Drake spends Thank Me Later meditating on the highs-and-lows of his new fame. It’s a rare gift that one of the biggest names in modern hip-hop can be humble and introspective, and actually mean it. Don’t let that description make it sound like the record isn’t fun. Tracks like “Find Your Love,” are great party tracks, but slow burners like “Light Up” and “Karaoke,” are where the real money is. We really should thank him now.
9. Love King – The-Dream
The-Dream is not only one of the best writers and producers in modern R&B, and his own releases are lush affairs, mixing soul music with raunchy fun that would make R. Kelly fume with envy. One can’t take songs like “Make Up Bag” and “Panties to the Side,” too seriously, even if they cause you laugh. Sexy and funny – it doesn’t always work, but The-Dream makes it work.
10. Live in Las Vegas – Dave Matthews & Tim Reynolds
The third live release of Dave Matthews and Tim Reynolds’ acoustic show is their best yet, succeeding in making two guys with acoustic guitars sound both intimate and elegant. Reynolds brilliant rendition of Led Zeppelin’s “Kashmir,” is a knock-out, and the sweetness of “Loving Wings,” is enough to weaken the most hardened listener. Live music is rarely so touching.
11. Infinite Arms – Band of Horses
Band of Horses have flown under the radar for years, but their time may have come with Infinite Arms, a luminous collection of songs that move from sprawling anthems like “Factory,” to pop-inspired indie fun like “Northwest Apartment.” The band’s album proves their potential really is infinite.
12. How I Got Over – The Roots
The Roots’ best album of their career is also a total embracing of soul, indie rock (see the fact that Monsters of Folk and Joanna Newsom are on the album). It’s a shot of new energy to a band that knows how to make the most of it.
13. Come Around Sundown – Kings of Leon
After breaking into the big time with Only By the Night, Kings of Leon were under a lot of pressure to deliver an album that matched it. If Come Around Sundown isn’t as full of singles as ObtN, it’s a more complete album in it’s entirety. The tracks establish a new depth, sure to keep listeners coming around.
14. The Age of Adz – Sufjan Stevens
Sufjan Stevens hasn’t released a proper album since his brilliant state themed album, Come on, Feel the Illinoise. Adz isn’t as folky and earthly as Illinoise is, but it’s far more experimental, and it looks good on Stevens. It may be an out there post-apocalyptic space oddity (which is a hell of a thing to attempt anyway), but it’s still full the beautiful lunacy only Stevens can achieve.
15. Georgia Warhorse – JJ Grey & Mofro
JJ Grey may be one of the most underrated blues musicians working today, delving into the musical history of the delta blues. Still, his work has never been more immediate or catchy than on Warhorse. The blues is alive and well, and in more than capable hands.
16. Live at The Troubadour – James Taylor & Carole King
No record has a warmer sound than this reuniting of the two singer-songwriters who made coffeehouse music cool. Taylor and King play off each other like the longtime friends they are, and their music interweaves just as gorgeously as it did back when it was written.
17. High Violet – The National
The National have made a name for themselves writing fuzzy guitar rock with lyrics that unabashedly wear their hearts on their sleeves. Yet High Violet reaches a new peak for the group, and puts them in the running for the role of America’s U2. A race that they’re leading – as they should be.
18. ArchAndroid – Janelle Monae
Monae is a protégé of both Outkast and Diddy, but her funk, hip-hop, soul infused style is something all her own. On her full-length debut, she cuts loose with songs about robots and a crazy sci-fi world. The album is so much fun, shows so much talent and skill, it honestly can raises the question about what world Monae is from.
19. Odd Blood – Yeasayer
Yeasayer’s second album is a bizarre mix of electronica infused indie rock. There are shimmering funk songs about standing up for yourself like, “Ambling Alp,” and the best slow-dance song that’ll never be played at a dance (“I Remember”). Experimental music has never been so enjoyable – or so human.
20. The Orchard – Ra Ra Riot
One of the best indie bands around, one that plays like a smaller, punk version of Arcade Fire, more than match their debut with The Orchard. Songs this glossy, poppy and witty don’t just grow on trees, but Ra Ra Riot makes it seem easy.
21. Pink Friday – Nicki Minaj
The current first lady of hip-hop goes a little too R&B on her debut, but still manages to ably display why she’s the most in demand female rapper on the scene right now. Never doubt that Minaj can be as raunchy as the boys, as she shows on “Roman’s Revenge,” or as sweet as Rihanna on “Save Me.” Here’s hoping for more of the former, but this is one hell of a start.
22. White Crosses – Against Me!
Fans of the early records of Against Me! were no doubt a little shocked by how “mainstream” the music on White Crosses is, but with music this full of hooks, politics and even a love song or two, it’s a sign of expanding their musical pallet. It may be a signal the band is getting away from their messy beginnings, but with music this good, moving is growing.
23. The World’s Not Bad – Smoosh
This indie pop duo of teenage girls from Seattle prove that age is hardly ever an indicator of how talented one is. This music is so ambient, pulsing and vivid, that it almost sounds like they’re trying to be a new Radiohead. On their peaks, they’re heading in the right generation.
24. Wake Up! – John Legend & The Roots
The Roots join John Legend to form the best 70’s soul band of the 2000’s. Instead of leaning towards more famous numbers, Wake up! goes for lesser known but equally powerful political driven songs. There’s no better way to bring this music to a new generation, one that could really use it.
25. God Willin’ & The Creek Don’t Rise – Ray LaMontagne & The Pariah Dogs
LaMontagne has made his bread and butter off of quiet acoustic rock with a voice that grabs listeners and won’t let go. On God Willin’ LaMontagne keeps the voice, and taps into a funky blues vibe, that has him tapping musical resources he’s never used before. Clearly, he is having a great time discovering.
26. All Day – Girl Talk
DJ Gregg Gillis is the unquestioned master of mashing up songs – usually ones that would be completely counterintuitive (i.e. The Band and Gucci Mane) – and turning it into the best dance disc of the year. All Day is no exception, with Gillis mixing up U2, John Lennon and Bruce Springsteen with the likes of Nicki Minaj, Jay-Z and Drake. You won’t have more listening to a record all year.
27. The Lady Killer – Cee Lo Green
One half of Gnarls Barkley is Cee Lo Green, a brilliant hit-maker who brings all his talents to bear on a disc of neo-soul and funk that could easily be written off, except for the fact that Green puts loads of heart into every song. Even if he’s telling someone to “fuck off.”
28. Pass the Jar – Zac Brown Band
Zac Brown became one of the biggest names in country with the release of his debut last year. If anyone is curious why there has been such much attention, this brilliant double live album will answer all questions. From rollicking segues from favorite “Free” into Van Morrison’s “Into the Mystic,” to guest stars like Kid Rock and Joey + Rory, Brown puts on one hell of a show. Buy this album to hear it all.
29. Revolutions Per Minute – Reflection Eternal
Hi Tek and Talib Kweli have been kings of underground hip-hop for years, and often working together under the name Reflection Eternal. While it has been some time since their last release together, these veterans show they can still bring the rhymes with the best of them. Here’s to hoping for another reunion of these old friends.
30. Body Talk - Robyn
Sweedish techno queen Robyn brings the grooves on Body Talk, a collection of her two Eps she released this year, and a few bonus tracks. The tracks work together seamlessly, and they never slow the beat down. There’s enough great music to keep your head bopping long after the record has stopped.
31. The Pursuit – Jamie Cullum
The British jazz pianist/singer-songwriter returns from a five-year hiatus with a brilliant collection of modern vocal jazz. His piano chops are as good as ever, and while The Pursuit doesn’t match the pure musical joy of Twentysomething, it’s perhaps some of hit catchiest songwriting to date. He focuses more on original material than covering standards, but as the brilliant track “Wheels” demonstrates, with a little more experience he could be penning standards of his own.
32. Volume Two – She & Him
The follow-up to their cult smash debut, actress Zooey Deschanel and songwriter M. Ward return with another batch of sunny 60’s pop. Their songwriting is more mature, Deschanel’s vocal range is wider, and the music is more lush. When everything is better, how can one go wrong?
33. The Winter of Mixed Drinks – Frightened Rabbit
One of the best bands no one has heard of, Scotland’s Frightened Rabbit will hopefully get the audience they deserve with this brilliant, sparse and melancholic album. With a sonic style that is clearly influenced by The Cure and The Shins, Frightened Rabbit create a musical landscape all their own that listeners will want to get lost in.
34. Together – The New Pornographers
This alt-country group, headed by Carl Newman and Neko Case release their best record yet. A perfect collection of folk drenched rock and with Case just off her stunning record, Middle Cyclone, her vocals ably demonstrate why she is one of the best female voices around today. As rollicking as it is lovely, it’s the perfect blend.
35. Danger Days: The True Lives of the Fabulous Killjoys – My Chemical Romance
Give it up for the fact that these emo boys finally ease up on the gothic whining and embrace a sonic blast of energy and dare I say it, fun. This record sounds like a blast of 80’s rock meshed with late 90’s punk. This is the sound of a normally depressed band smiling for once. Sounds good.
36. Rebel Within – Hank III
Hank III may be one of the biggest wildcards in modern country. He’s completely aghast at the “modern” country sound, and instead embraces a freewheeling, outlaw style full of swearing, sex and moonshine. He’s supposedly cleaned up for this record, and while there are a few more somber songs than usual, he’s still as wild as ever when it comes to music. Some things don’t – and shouldn’t – change.
37. Be My Thrill – The Weepies
Husband and wife Deb Talan and Steve Tannen write some of the simplest, yet loveliest folk ballads around. They outdo themselves on Be My Thrill, their most accessible album yet. If it’s a little more mainstream, with music this sweet and honest, that’s fine. Hearing it each time is such a sweet thrill.
38. Hands All Over – Maroon 5
Maroon 5 was never anything but a pop band, but where they stumbled a bit on their second release, their third find them completely embracing a style of 80’s rock that would make Def Lepard proud. It’s clear that even if they’re not reaching for anything groundbreaking, they’re having a good time making the music, and that counts for a lot.
39. Foundling – David Gray
Gray gets back to his acoustic roots on this stunning collection of finger-picked ballads. Not since his masterpiece White Ladder, has Gray created music this gorgeous and intimate. The record plays like someone sitting in your home, strumming an acoustic guitar. It’s the sound of enchantment.
40. Shame, Shame – Dr. Dog
Dr. Dog continues to be the best The Band band since The Band. Shame, Shame might just be their breakthrough album, their Music from Big Pink, if one will allow. The songwriting throughout is so consistent and the music filled with such a spirit of Americana that it’s hard not to get swept away. Don’t fight it.
41. Apollo Kids – Ghostface Killah
Ghostface was one of the key members of the Wu Tang Clan, and if that wasn’t enough, he’s been making brilliant solo albums on the side for more than a decade. He steeps himself in old soul samples on Apllo Kids, while laying over it some of the best rhymes around. Ghostface is truly an embodiment of the cliché that some things do get better with age.
42. July Flame – Laura Veirs
Veirs has been turning out reliably lush girl coffeehouse rock for over a decade, but July Flame finds her reaching a new musical peak, writing songs that are not only warm, but genuinely moving. Her hooks are so subtle that they slip into your mind and stay there with the greatest of ease. And stay there long after the album is done.
43. April Uprising – John Butler Trio
The fan base for Australia’s John Butler Trio has been steadily growing for years, and April Uprising is sure to increase the numbers by leaps and bounds. Butler shows off some of his best guitar work, and also deepens his lyrical abilities. A major step forward for the artists, it’s sure to be a surge in their audience.
44. I Learned the Hard Way – Sharon Jones & The Dap Kings
Jones and her band are a soul unit that could have easily been plucked out of the 50’s and sound almost the exact same. Tapping into Aretha style soul, Jones proves that her emotion soaked voice is more than a match for anyone who thinks that modern R&B has replaced the real deal. For the real deal, this is the ticket.
45. The Twilight Saga: Eclipse – Various Artists
Say what you will about the movies (and there’s plenty to say) but the Twilight Saga puts out some of the best soundtracks in the last couple years. Tapping into the indie scene with a vengeance, each soundtrack has gotten bigger and better artists to write for them. Eclipse reaches a new high, with music from The Black Keys, Cee Lo, Vampire Weekend, Beck and Band of Horses. Ignore the films, reveal in the music.
46. Champ – Tokyo Police Club
The music created by Tokyo Police Club is fast, energetic, and – the crucial aspect that sets them apart from their peers – super literate. Indie punk is rarely this intelligent, melodic and fun. It’s a punk band for fans of Vampire Weekend.
47. All Birds Say – Carl Broemel
The guitarist from My Morning Jacket proves that Jim James isn’t the only member of the band who can write beautiful music. Broemel’s record plays like the best Wilco album Wilco never made. Full of lush alt-country ballads, Broemel proves that MMJ’s success is not the product of one man.
48. Go – Jonsi
The lead singer of Sigur Ros creates the most symphonic and stirringly gorgeous record of the year. Listening to Jonsi’s music is like being transported to Middle-Earth or some other world. As he does with Sigur Ros, the lyrics are mostly indistinguishable – in part because they’re in a made up language – but it really doesn’t matter, with music this beautiful, the words stop being important.
49. To The Sea – Jack Johnson
Johnson’s fans would riot if he changed his sound up too much, so it’s a good thing that while Johnson continues to embrace the electric guitar, he’s still able to keep his laid back, beach record atmosphere. To The Sea is Johnson’s most sophisticated and adventurous record to date. Sometimes, growth is a good thing.
50. The Guitar Song – Jamey Johnson
Jamey Johnson made a big splash when he hit the country scene, tapping into the old school of the genre. With his Cash-esque voice, and brilliant guitar work, Johnson showed all the phonies how it’s done. On The Guitar Song, a sprawling two-dsic record, Johnson writes about both the dark and light of life. There hasn’t been this much ambition in country for a long time. Keep an eye on Johnson – he’s going to take listeners places.
Top 100 Songs
1. POWER (feat. Dwele) – My Beautiful Dark Twisted Fantasy – Kanye West
The first single off West’s masterpiece gave listener’s a taste of the direction he was going in: totally experimental, introspective and arrogant all at once. It’s one of his best singles, and shows that no matter what anyone says about the man, he’s a musical genius. “He knows he’s so fucking gifted,” West rhymes on the song. Go ahead and try to argue that.
2. Fuck You – The Lady Killer – Cee Lo Green
Break-up song of the year goes to this ballsy neo-soul number from Green, who gives the finger to radio standards, telling his ex and her new man to fuck themselves. Never has swearing at the one who broke your heart been more cathartic or more fun. The music is well constructed that even the clean version – “Forget You” – works, but for my money, the uncensored version is where it’s at.
3. Dance Yrself Clean – This is Happening – LCD Soundsystem
A nine-minute slow burner, James Murphy takes his time building his nerdy dance music, but when it finally slams into gear, it’ll knock you back. Murphy is the thinking man’s techno artist, introspective, self-deprecating and literate. Still, his music is infinitely accessible, and this one’ll have people dancing themselves clean over and over.
4. The Weekenders – Heaven is Whenever – The Hold Steady
The Hold Steady reached a new peak with “The Weekenders,” a U2 influenced rocker that goes from shimmering guitars to head-banging rock in no time at all. Lead singer Craig Finn gets the award for best line of the year: “the theme of the party is the Industrial Age/And you come in dressed like a train wreck,” while creating a rocker about making sense of love.
5. Next Girl – Brothers – The Black Keys
One of The Black Key’s dirtiest sounding songs, it’s also one of their most infectious. Dan Auerbach channels the blues so well it’s hard to believe he wasn’t plucked out of the Mississippi Delta, and both his vocal and guitar work are on full display here. Pat Carney’s drumming has always been the band’s heartbeat, and he keeps it pounding throughout. This is the sound of two musicians just hitting their stride.
6. My Love – Twilight Saga: Eclipse – SIA
The voice of the techno group Zero-7, SIA has never sounded lovelier or more organic than on this heavenly ballad. Her tones are warm and earthy, the lyrics so full of longing that it’s impossible to ignore, or forget. Sometimes simplicity works best, and as demonstrated here, it can be completely devastating in the best possible way.
7. I Need A Dollar – Good Things – Aloe Blacc
Totally embracing the soul music of the 70’s, Blacc’s song is one that Bill Withers would have been proud to do. Singing about finding work over a piano line as catchy as this, using horn lines and his raspy voice, he’s created a new anthem for the countless people looking for work, while avoiding being depressing. That’s quite a feat.
8. Light Up (feat. Jay-Z) – Thank Me Later – Drake
Darke’s debut album proves that the young MC is more about lasting power than making noise for a short while, so who better to rhyme with than one of the game’s best? Jay-Z instructs the newcomer on how to last, but when Drake rhymes about working while his friends party, it’s clear that he’s all about making the best music he can. He’ll be around for a while.
9. Run – Contra – Vampire Weekend
Vampire Weekend turn out hook-laden tunes like ticker-tape, but they’ve topped themselves with “Run.” Powered by a brilliant guitar riff and heavenly strings, it’s enough to get even the laziest person of their feet and on the move.
10. Finnerodja – The World’s Not Bad – Smoosh
This two-piece, teenage girl indie band spent their first two records creating infectious indie pop, but from the first seconds of “Finnerodja,” it’s clear they’re going for something different. The melodies sound more Radiohead-esque, the vocals more mature, the production more dynamic. Everything about it is older, more mature, and better.
11. The Diamond Church Street Choice – American Slang – The Gaslight Anthem
The Gaslight Anthem has always had Springsteen flowing through their veins, but rarely have they displayed it to such effect as they do on this track. The doo-wop intro is brilliant, leading into one of their hookiest songs. It’s a definite diamond.
12. Monster (feat. Bon Iver, Rick Ross, Jay-Z & Nicki Minaj) – My Beautiful Dark Twisted Fantasy – Kanye West
Perhaps the most bizarre song on West’s album, “Moster” is exactly what it says – a six-minute beast featuring Bon Iver, Rick Ross, Jay-Z and Minaj, who steals the show from the boys in the cameo of the year. Listening to Minaj change voices like one possessed, Jay-Z’s cool dominance and West’s restless excitement, monsters have never been this much fun.
13. Dear God 2.0 (feat. Monsters of Folk) – How I Got Over – The Roots
The Roots tap into the inde rock scene, mixing the Monsters of Folk with their funk-infused hip-hop to spectacular effect. Immediately infectious, it’s a new peak for a band on the forefront of musical exploration.
14. Younger Us – Younger Us/Sex and Dying in High Society – Japandroids
Fuzzy guitar rock at it’s best, Japandroids have created a new anthem for young people who already yearn for the better days of their past. The idea might be a bit ridiculous, but when it’s pulled off with so much sincerity, and with such energy, it’s hard to stay cynical. And that’s the point.
15. Wheels – The Pursuit – Jamie Cullum
Overlaying his jazz piano over speeding train drum work, “Wheels” is Cullum’s catchiest song to date. Social protest rarely sounds like this much fun, as Cullum wonders aloud about the state of the world. Judging from the music, there’s no answer but to keep rolling along.
16. The High Road – Broken Bells – Broken Bells
The Shins’ James Mercer and Gnarls Barkley’s Danger Mouse may seem like an odd match, but this techno-infused indie rock song is as catchy as anything Gnarls Barkley did and as smart as the Shins’ best. Odd or not, there’s no arguing with “The High Road.”
17. Loving Wings – Live in Las Vegas – Dave Matthews & Tim Reynolds
A live Dave Matthews Band fan favourite, “Loving Wings” is even prettier when it’s just Matthews and Reynolds. Reynolds sublime guitar work underscores one of the best love songs Matthews has ever written, creating a whole new live classic.
18. Nothing But the Whole Wide World – Women and Country – Jakob Dylan
With a guitar melody right out of James Taylor’s songbook, Dylan has written a folk classic brimming with hope for the future. Sounding more like his father every day, and backed by Neko Case, Dylan proves he’s “got nothing but the whole wide world to gain.”
19. Florida University – Love King – The-Dream
On one of the best break-up songs of the year The-Dream unleashes all his production talents and his hilariously witty song writing for a song not about the actual university, but the initials. With hilarious asides about a clean version, and what his mother would think, it’s about as much fun as one can have chanting a school abbreviation.
20. She’s Long Gone – Brothers – The Black Keys
The Black Keys take their grungy blues sound to the limit on this foot-stomping cut, with some of Auerbach’s best guitar work, and Carney’s most dynamic drumming. These guys stampede through a song like no one else in the business, and create a blast a doing it.
21. Locked Inside – The ArchAndroid – Janelle Monae
Monae created one of the most interesting soul records of the year, bringing in funk, hip-hop and techno to form one perfect sound. “Locked Inside” is a danceable example of why she’s so good at what she does: the song is infectious, unorthodox and unforgettable.
22. Bamboo Bones – White Crosses – Against Me!
If Against Me! has traded a little of their indie cred for a bigger audience, its okay when they make songs as good as this. Tapping into the infinite catchiness of pop-punk, the Florida band creates a song about standing up for yourself (even against God) and taking a stand. And that message is very much in line with all their previous music.
23. Airplanes Part 2 (feat. Hayley Williams of Paramore and Eminem) – B.o.B. Presents: The Adventures of Bobby Ray – B.o.B.
With a hook from Paramore’s Hayley Williams, this cut from B.o.B. is a fantastic testament to the power of a great hook and interesting lyrical work. Eminem’s appearance is one of the cameos of the year, but it’s the chorus that sucks you in every time and doesn’t let you go.
24. Factory – Infinite Arms – Band of Horses
As grand and sweeping as the night sky, Band of Horses open their third record with a swirl of guitars and strings, over pulsating drums. The sound and vocals echo into space, yet still sound immediate and intimate. The possibilities for Band of Horses really are infinite.
25. Wake Up Everybody (feat. Common and Melanie Fiona) – Wake Up! – John Legend & The Roots
Legend may just be the best male soul voice of this generation, and The Roots are definitely one of the best bands (rap or otherwise) so the musical offspring of this group is something to take notice of. Their version of the Harold Melvin classic is a stunning example of the power of older music to be recreated for a new generation. Everybody wake up is right.
26. Bloodbuzz Ohio – High Violet – The National
The National finally broke through this year, and somber rockers like this one are why. Singing like the last guy at a seedy bar, Matt Berninger laments being forgotten by his home while guitars and pianos swirl like a snowstorm keeping him stuck in the bar. Homesickness has never sounded this good.
27. Swim – Astrocoast – Surfer Blood
With a sound straight out of the school of Echo and The Bunnymen and The Jesus Mary and Chain, mixed with 80’s hair-rock guitar, “Swim” shouldn’t work, but not only does it work, it knocks it out of the park. It’s a testament to the band that they’re able to make it work as well as they do. Keep an eye on them.
28. Breakneck Speed – Champ – Tokyo Police Club
Moving along at the pace the title implies, “Breakneck Speed” is three minutes of the catchiest guitar pop-punk of the year. It also helps that there’s actually something to lyrics. Champs indeed.
29. Belinda – Lonely Avenue - Ben Folds & Nick Hornby
With lyrics clearly penned by Hornby (witty, funny, self-deprecating and harsh), Ben Folds turns this hilarious midlife crisis ballad into something actually moving. That’s the sign of a real partnership.
30. Sorry – Love King – The-Dream
The final song on the deluxe version of Love King is an a cappella knock out. For all the lush productions of his music, when he strips it all away to just his voice, he proves he’s more than just sexual innuendo – there’s some real music going on here, too.
31. Free/Into the Mystic – Pass the Jar – Zac Brown Band
Brown and Band know just how to mix original music with classics, creating one seamless piece of live music. The blending of their hit “Free” into Van Morrison’s opus “Into the Mystic,” is a stunning example of how all music can go together.
32. Misery – Hands All Over – Maroon 5
Adam Levine and Co. delivered another radio take over with “Misery,” tapping into 80’s rock to create a pop song that is universally recognizable, subtly naughty and all kinds of fun.
33. What’s My Name (feat. Drake) – Loud – Rihanna
Rihanna proves why she’s the undisputed queen of hit-making R&B with this reggae inspired ballad, featuring a brilliant intro from Drake. Still, Rihanna’s voice is the main attraction, and she’s got one of the sexiest voices in the industry. Who could forget her name?
34. Every Day – All Day – Girl Talk
DJ Gregg Giles doesn’t just make mash-ups on whims; often times his work has a deeper message to it. Witness of the brilliant mixing of Jay-Z over Modern English’s “Melt With You,” or his wrapping up with John Lennon’s “Imagine.” Listen to this and tell me that there’s not an art to this.
35. Hear My Train A Comin’ – Valleys of Neptune – Jimi Hendrix
Hendrix imbibed every piece of music he touched with the blues, so it’s no surprise the release of previously unheard material features this stunning blues classic that never made it onto one of his records. The guitar work, as always, goes from understated to stunning on a dime and serves as another reminder of an amazing talent lost.
36. Save Me – Pink Friday – Nicki Minaj
While Minaj’s debut was a little more R&B than many wanted, she proves she has a firm understanding of the genre with “Save Me.” As catchy as the best Rihanna song, Minaj proves she can groove with the best of them when she wants to.
37. Just Begun (feat. Jay Electronica, J. Cole and Mos Def) – Revolutions Per Minute – Reflection Eternal
Two old friends – and two of hip-hops best voices – return for the most poetic rap track of the year. These guys can create a beat that keeps your head bouncing, even while they wrap political poetry around your head.
38. If It Wasn’t for Bad – The Union – Elton John and Leon Russell
These two rock veterans are the perhaps the best pairing of the year, and they create a brilliant classic rock throwback, based on Russell’s growling voice and John’s brilliant piano playing. Add on T Bone Burnett as the producer, and there’s nothing bad about this.
39. Little Lovin’ - Catching A Tiger – Lissie
Driven by a brilliantly simple acoustic guitar hook, Lissie makes a major name for herself with this instantly catchy folk-rock number. The way the song builds like a train gaining speed is all the more fun as it takes the listener for a great ride.
40. Animal – Habits – Neon Trees
A dance-pop number that’s a mix of The Cure and Phoenix, “Animals” is this year’s “1901.” Infinitely playable and danceable, it’s the perfect song for getting ready for the club. And at the club. And after the club, too.
41. My City of Ruins – My City of Ruins [Live from the Kennedy Center Honors] – Eddie Vedder
Recorded for Bruce Springsteen’s Kennedy Center Honors, Vedder turns “My City of Ruins” into the full-on tribute to loss and hope that it always has been. His simple delivery is buoyed by a gospel choir backing, creating a modern American hymn.
42. Station – Shame, Shame – Dr. Dog
Americana music hasn’t sounded this good since The Band and Bob Dylan brought it to the masses on The Basement Tapes. “Station” could easily have come from that record, but Dr. Dog infuse it with their own sense of funk and some brilliant slide guitars to create a complete original.
43. Pickup Truck – Come Around Sundown – Kings of Leon
Kings of Leon forego the immediate hooks on “Pickup Truck,” and instead create something infinitely catchier – a song you have to invest in. By the time the chorus comes around (with one of their best hooks) you’re already sucked in.
44. I Loves You, Porgy – Brian Wilson Reimagines Gershwin – Brian Wilson
Wilson is the perfect person to take Gershwin’s lush orchestrations and love struck lyrics and bring them to a new generation. The end result sounds like the best song from Pet Sounds that The Beach Boys never recorded.
45. Jonathan Low – Twilight Saga: Eclipse – Vampire Weekend
Vampire Weekend take their signature sound and give it an acoustic kick on “Jonathan Low,” creating guitar work that could have come from Simon & Garfunkel. The overall sound is all theirs, and they show that they have all kinds of ways to grow as a band.
46. City with No Children – The Suburbs – Arcade Fire
“City with No Children” is about as lush and lovely as the Arcade Fire get, filling the song with grungy guitars, hand-claps and brilliant vocal work. There’s nothing empty or not youthful about this one.
47. National Ransom – National Ransom – Elvis Costello
A middle finger to the bankers who have gotten the world in such a mess, Costello gets back to his punk roots, delivering a blistering attack on the financial world. Anger sounds good on him.
48. Thieves – Volume Two – She & Him
A song that could have easily been a doo-wop hit from the 50’s, “Thieves” is powered by M. Ward’s lush guitar work and Deschanel’s powerful voice, which completely steals the song.
49. Blazin’ (feat. Kanye West) – Pink Friday – Nicki Minaj
Minaj and West have all kinds of fun sampling Simple Minds’ “Don’t You (Forget About Me),” both stars proving why they’re at the top of the hip-hop game right now. Props to West for the funniest line on the track: “I’ve got two White Russians, we still need some drinks.”
50. Skinny Love – Fidelity! – JP, Chrissie and The Fairground Boys
The influence of Bon Iver – even though he’s only released one official record –on music has been huge, but never has it been more clearly shown than by the fact that Chrissie Hyde is covering him. Iver should’ve got a female vocalist for his version – Hyde and JP turn it into a torch song for the ages.
51. On the Sunny Side of the Street/Fool in the Rain – Nikki – Nikki Yanofsky
Supposedly Jimmy Page hated “Fool in the Rain” so much he did as little work as possible on it. That’s okay, because Yanofsky takes it, matches it with a classic, and creates a whole new jazz standard. It’s her song now.
52. You’re Dead to Me - Up on the Ridge – Dierks Bentley
Bentley abandoned the traditional country trappings for a bluegrass driven album, and it’s all to the better as this brilliant break up song shows. The banjo playing is superb, and the lyrics are both bitter and funny. This is how country should sound.
53. Blossom – Live at the Troubadour – James Taylor & Carole King
Taylor and King’s live version of the Taylor standard is the definite of simple elegance. Just a guitar and piano, and a voice, but out of these three things comes a sound so warm and familiar, it’ll make you fall in love with the raw power of music all over again.
54. Ambling Alp – Odd Blood – Yeasayer
One of the most musically interesting songs of the year, “Ambling Alp” is also some of the best advice for children from parents ever put to music. As warm as it is infectious, this should be played for every son by his father.
55. Bull Rider - …featuring Norah Jones – Norah Jones & Sasha Dobson
This cover of a Rodney Crowell with cult country singer Sasha Dobson gets the Norah Jones treatment: sultry vocals, slick music and most of all, the warm feeling of an old friend.
56. Please Speak Well of Me – Be My Thrill –The Weepies
With a sound right out of the 60’s folk scene, The Weepies capture the sound of earnestness on this simple number. There’s no frills, nothing extra: just plain sweet songwriting and even sweeter music.
57. This Electric – It’s What I’m Thinking: Photographing Snowflakes – Badly Drawn Boy
With a guitar line that runs like an electrical current throughout the song, “This Electric” sounds like The Verve mixed with Beck. The result is something sonically lovely, funky and definitely electrifying.
58. For the Summer – God Willin’ & The Creek Don’t Rise – Ray LaMontagne & The Pariah Dogs
“For the Summer,” is LaMontagne at his quintessential best: just a couple guitars, a steady beat from the drums, and that rusty voice that speaks of both weariness and hope. It may have been the quietest song about the summer of the year, but it’s also the prettiest.
59. Heavy in My Arms – Twilight Saga: Eclipse – Florence & The Machine
The title says it all, as Florence & The Machine bear down on the listener with heavy bass guitars and keys, but it’s her voice that really makes the song – it’s strong enough to carry anything, and she carry’s the song away.
60. Get Up (feat. Chris Brown) – No Mercy – T.I.
T.I. and Brown are the perfect pair for this song about getting up after you falling down. Both artists take the song to limit, performing like they’re both been there. Which is fitting, since they both have.
61. I’ll Be Waiting – The Sound of Sunshine – Michael Franti & Spearhead
Franti channels U2’s “Bad,” for one of his best love songs yet, which is saying something about an artist who only writes about love and forgiveness. The Edge could have easily written the guitar, but the lyrics and sentiment are all Franti.
62. One Short Night – Grace Potter and the Nocturnals – Grace Potter and the Nocturnals
Potter is lined up to be this generations Bonnie Raitt, and she proves she’s more than up to the task on this funk-driven number. Her voice has never been stronger – or sweeter – and with music this good, you’ll want it to last all night.
63. All the Best – Broken Hearts and Dirty Windows: Songs of John Prine – My Morning Jacket
MMJ pay tribute to one of their key influences with “All the Best.” Front man Jim James sings with all heart and earnestness, and as usual, the rest of the band creates a luscious sonic landscape for him. If only all covers could be this good.
64. Only the Wine – Foundling – David Gray
The opening track from Foundling is as sweet and intoxicating as the best wine. Gray lets his shimmering acoustic guitars carry the track, while he gets drunk on the loveliness of the music and lyrics. It’s impossible not to join him.
65. Hang With Me – Body Talk – Robyn
Robyn proves that she’s the queen of techno with “Hang With Me,” a song as infectious as it is adventurous. A number about just being friends, it’s hard not to fall in love with her and the music.
66. Wrote A Song for Everyone - You Are Not Alone – Mavis Staples
Staples has been one of the most powerful voices in music for decades, and she proves that she can still command a song with this gospel gem, backed by grungy electric guitars and produced by Wilco’s Jeff Tweedy. Rarely have the old and new met in such glorious fashion.
67. Diamonds Made from Rain – Clapton – Eric Clapton
On this gospel inspired blues number, Clapton displays how sometimes the subtlest of guitar work can be the most powerful. Backed by a brilliant horn line, “Diamonds” fits perfectly alongside such favourites as “Let it Grow.”
68. I Can See Your Tracks – July Flame – Laura Veirs
The heir apparent to Eva Cassidy’s brand of smoky blues with a voice that cuts like a knife, Veirs brings her considerable talent to bear on “I Can See Your Tracks,” the perfect song for a grey day.
69. Do You Remember - The Orchard – Ra Ra Riot
A slow burner with a brilliant string section and techno style drums, Ra Ra Riot shows a musical sophistication that grows organically from their indie rock roots. It’s a song worth remembering.
70. Rill Rill – Treats – Sleigh Bells
A blast of indie-techno fresh air, “Rill Rill,” hits the listener with drums like canon fire, chiming electric guitars and keys, and voices that float over the music like clouds. A true sonic treat.
71. Gotta Know – Georgia Warhorse – JJ Grey & Mofro
Grey proves that he’s up to his neck in the blues on “Gotta Know,” a blues ballad in the purest sense of the term – powered by a heavy piano line and lilting guitar lines, it’s a song that everyone should know.
72. Window Shopping – I Learned the Hard Way – Sharon Jones & The Dap Kings
Jones takes her man out for a ride on this funk-driven number that would make Aretha proud. The organ work is brilliant, and Jones voice never let’s up. Don’t be like the subject of the song, and let this one pass you by.
73. Home – Something For the Rest of Us – Goo Goo Dolls
By now the Goo Goo Dolls have writing radio gems down to a science, and “Home,” is a perfect example of how it’s done. Infectious guitars and a sing-along chorus make for a surefire hit.
74. The Wrestle – The Winter of Mixed Drinks – Frightened Rabbit
These Scottish boys create an epic of U2-sized proportions, at once aesthetically deep and immediately catchy. The song builds like a storm, and explodes with the thunder of drums and guitars. It’s a knock-out.
75. See How Man Was Made – So Runs the World Away – Josh Ritter
Ritter’s quietly devastating voice and music is on display at it’s best on this track. Relying mostly on an acoustic guitar and his voice, he shows that sometimes one is the prettiest number.
76. Take Care – Teen Dream – Beach House
Hypnotic and gorgeous, Beach House’s best album yet also yields this stunner. Quietly moving, poignant and full of reverb guitars, it’s perfect for a summer day outside or a cold night in.
77. Ghost Town – Under Control – Cary Brothers
A piano-driven ballad that would make Chris Martin envious, “Ghost Town,” is full of echoing guitars and vocals, that truly sound like they’re being sent out into empty space. Music this full of life is enough to banish any ghosts.
78. The Sea – The Sea – Corinne Bailey Rae
Rae’s second album – made after the death of her husband – is a melancholy and hopeful journey, best captured on this track. Her voice is as powerful as ever, the lyrics haunting and infectious. Saying goodbye has rarely sounded so sweet.
79. Talkin’ 2 Myself (feat. Kobe) – Recovery – Eminem
On Eminem’s most personal album yet, perhaps the most personal track on it deserves the most credit. Fully accepting how down and out he was, while also ably demonstrating that he’s back, Em shows why truth is better than fiction.
80. Sing – Danger Days: The True Lives of the Fabulous Killjoys – My Chemical Romance
A song about hope is one of the last things expected from MCR, but “Sing” shows that when these guys abandon the somber, they can write a rocker that’ll have your first pumping in the air.
81. Green Eyes – King of the Beach – Waves
What starts out as a Coldplay-style ballad quickly turns into an experiment in mixing grunge guitars with lovelorn lyrics. Turns out it’s a mix made in heaven.
82. Sailboats – An Airplane Carried Me to the Sea – Sky Sailing
Before he was Owl City, Adam Young was Sky Sailing. While “Sailboats” doesn’t hit the highs of “Fireflies,” it’s quieter and lovelier, and with his confession of undying love for Audrey Hepburn, it proves Young has always been the best kind of romantic: hopeless.
83. Shove – LOVE – Angels & Airwaves
Angels & Airwaves continue to expand their sonic landscape on this hook-laden arena rock ballad. Perfect for a new generation of slow dances.
84. Boyfriend – Crazy For You – Best Coast
Fuzzy guitars and Beach Boy style vocals mesh perfectly in this love-drenched that would make Robert Smith jealous.
85. The Ghost of Rockschool - Belle & Sebastian Write About Love – Belle & Sebastian
Belle & Sebastian channel Air on this techno ballad that floats along on clouds of lovely horns and guitar.
86. The Poet – Junky Star – Ryan Bingham
The Oscar-winner for the Crazy Heart soundtrack ably displays that he’s more than a one-trick pony with this stripped down song that could have been a b-side from Bob Dylan’s John Wesley Harding.
87. Mystery Man – April Uprising – The John Butler Trio
The Australian slide-guitar wizard writes one of his catchiest tunes yet. Anchored by his brilliant finger work and penetrating lyrics, hopefully Butler will be less of a mystery to mass audiences.
88. This Bed - Thistled Spring - Horse Feathers
Autumnal and lilting, Horse Feathers create one of the loveliest songs of the year. With nothing but an acoustic guitar and violin, “This Bed,” is as warm and comforting as your bed on a cold morning.
89. I’m Falling In Love Again – Band of Joy – Robert Plant
Plant goes back to his blues roots on this shambling ballad that would have fit just as well on a 1960’s blues record as it does today. The man can still hit the high notes, and still drench the words with feeling.
90. Oh What A Feeling – Nothing’s Impossible – Solomon Burke
The late soul great lets his huge voice get lifted by sweet guitars and a pitch perfect organ line. A brilliant final offering from a voice that will be sorely missed.
91. The Difference Between Us – Sea of Cowards – The Dead Weather
Jack White can write a rock hook like nobody’s business, no matter who he’s playing with – or what instrument he’s playing. This track is a perfect example of why he’s one of the most commanding musicians of his generation.
92. Alley Cats – One Life Stand – Hot Chip
A techno ballad from one of the smartest dance bands around, “Alley Cats” is lovely as it is catchy, running on shimmering guitar lines and string sections. The perfect slow dance song for people who don’t like to slow dance.
93. Trouble Comes Running – Transference – Spoon
With an intro that sounds lifted from the Rolling Stones, Spoon kicks into one of their rowdiest songs yet, bouncing along to a guitar beat right out of the 60’s that sounds perfectly at home in 2010.
94. Healing Hands – The Rainwater Lp – Citizen Cope
Recorded with the cracks and pops of an old vinyl record, matched with warm organs and even warmer vocals, this song is the musical healing for what ails you.
95. Push - Glow – Donavon Frankenreiter
Frakenreiter is the reigning king of laid back summer music, and he hits a new high with
“Push,” a song that should have dominated summer play lists.
“Push,” a song that should have dominated summer play lists.
96. Fear Itself – Permalight – Rogue Wave
A little bit psychedelic, a little bit folk ballad, “Fear Itself,” is as refreshing as the sea air that the song mentions. It’s a breath of fresh air.
97. 2getha Baby – Apolo Kids – Ghostface Killah
A fantastic mix of pure soul sampling and hardcore rhyming, Ghostface handily shows that after decades in the game, he’s still an MVP.
98. Carried Away – All Birds Say – Carl Broemel
Awash in a swirl of guitars and lilting vocals, this quiet gem from the My Morning Jacket guitarist gives Wilco a run for their money on alt-rock sweetness.
99. All the Things I Could Never Say – The Boxer – Kele
The Bloc Party lead singer gets in touch with his inner DJ, letting techno beats and carry this bittersweet love song through the listener’s heart and down to their tapping toes.
100. I’ll Take Care of You – I’m New Here – Gil Scott-Heron
The classic soul singer proves he’s still relevant with this haunting ballad that sounds like the best Tom Waits song he never wrote.
Reissues
1. The Promise – Bruce Springsteen
2. The Witmark Demos: 1962-1964 – Bob Dylan
3. Live On The Sunset Strip - Otis Redding
4. Exile on Main Street – The Rolling Stones
5. …featuring Norah Jones – Norah Jones
6. James Taylor – James Taylor
7. Bitches’ Brew – Miles Davis
8. Can’t Stand the Weather – Stevie Ray Vaughan and Double Trouble
9. Damn the Torpedoes – Tom Petty & The Heartbreakers
10. Pinkerton - Weezer
Live Albums
1. Live in Las Vegas – Dave Matthews & Tim Reynolds
2. Live On The Sunset Strip – Otis Redding
3. Live at The Troubadour – James Taylor & Carole King
4. Pass the Jar – Zac Brown Band
5. Live in Berlin - Sting
6. iTunes Live from Soho Ep – Phoenix
7. iTunes Live from Soho Ep – The XX
8. London Sessions – LCD Soundsystems
9. iTunes Sessions – The Black Keys
10. VH1 Storrytellers – Kanye West
Music DVDs
1. Crossroads Guitar Festival 2010 – Eric Clapton
2. 360: At the Rose Bowl – U2
3. The 25th Anniversary Rock and Roll Hall of Fame Concerts – Various Artists
4. London Calling – Live in Hyde Park – Bruce Springsteen & the E Street Band
5. Songs from the Road – Leonard Cohen
6. The 4 Complete Ed Sullivan Shows – The Beatles
7. Stones in Exile – The Rolling Stones
8. Concert Collection – Frank Sinatra
9. Live, Volume 3 – The Avett Brothers
10. Live from The Artists Den – David Gray
Soundtracks
1. The Twilight Saga: Eclipse – Various Artists
2. Scott Pilgrim vs. The World – Various Artists
3. The Social Network – Trent Reznor & Atticus Ross
4. Inception - Hans Zimmer
5. Harry Potter and The Deathly Hallows, Part 1 – Alexandre Desplat
6. Lost: The Final Season – Michael Ciacchino
7. Never Let Me Go – Rachel Portman
8. Tron Legacy – Daft Punk
9. Treme: Season 1 – Various Artists
10. Get Low – Various Artists
Box Sets
1. Darkness on the Edge of Town – Bruce Springsteen
2. Mono Recordings - Bob Dylan
3. The 25th Anniversary Rock & Roll Hall of Fame Concerts – Various Artists
4. Signature Box – John Lennon
5. West Coast Seattle Boy – Jimi Hendrix
6. Exile on Main Street – The Rolling Stones
7. Band on the Run – Paul McCartney & Wings
8. CTI Records: The Cool Revolution – Various Artists
9. Bitches’ Brew: 40th Anniversary Collector’s Edition – Miles Davis
10. Matador at 21 – Various Artists
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